We look forward to seeing you in Ottawa for our 2027 OHS Harp Scholarships!
2027 Repertoire:
🎶 Open Category
- Open category for young harpists at a novice level (pre RCM level 4). Teachers must recommend candidates for this category.
- Repertoire: one or two pieces of the performer’s choice.
🎶 Level 4 Lever/Pedal Harp
- Aquatintes #1 - Bernard Andres (not from RCM syllabus)
- Contrasting piece from the RCM (2009) online harp syllabus, level 4
🎶 Level 6 Lever/Pedal Harp
- Adio Querida arr Sunita Staneslow
- Contrasting piece from the RCM (2009) online harp syllabus, level 6
🎶 Level 8 Lever Harp
- On the Water - Monika Stadler (with your improv or Monika’s suggested improv)
- Contrasting piece from the RCM (2009) online harp syllabus, level 8
🎶 Level 8 Pedal Harp
- Esquisse - Henriette Renié
- Contrasting piece from the RCM (2009) online harp syllabus, level 8
🎶 Advanced Lever Harp (RCM level 9+)
- Present a diverse program selected by the performer, highlighting their skill and artistry on the lever harp. Repertoire should be at a RCM level 9 or higher – please refer to the RCM syllabus as a reference/resource. Pieces by Canadian, women and BIPOC composers are encouraged but not mandatory.
- A performer’s presentation resembling a mini-concert, entailing an introduction of each piece along with additional contextual information to foster a deeper connection with the audience. Topics for discussion may include, but are not limited to: the selection process for the pieces, their contrasting elements, personal significance, crafting a creative narrative.
- A maximum performance time, inclusive of speaking, of 20 minutes.
🎶 Level 10 Pedal Harp
- Present two contrasting pieces, selected by the performer, highlighting their skill and artistry on the pedal harp. Repertoire should be at a RCM level 10 – please refer to the RCM syllabus as a reference/resource. Pieces by Canadian, women and BIPOC composers are encouraged but not mandatory.
- A performer’s presentation resembling a mini-concert, entailing an introduction of each piece along with additional contextual information to foster a deeper connection with the audience. Topics for discussion may include, but are not limited to: the selection process for the pieces, their contrasting elements, personal significance, crafting a creative narrative.
- A maximum performance time, inclusive of speaking, of 15 minutes.
🎶 ARCT/University Pedal Harp
- Present a diverse program selected by the performer, highlighting their skill and artistry on the pedal harp. Repertoire should be at a RCM ARCT level – please refer to the RCM syllabus as a reference/resource. Pieces by Canadian, women and BIPOC composers are encouraged but not mandatory.
- A performer’s presentation resembling a mini-concert, entailing an introduction of each piece along with additional contextual information to foster a deeper connection with the audience. Topics for discussion may include, but are not limited to: the selection process for the pieces, their contrasting elements, personal significance, crafting a creative narrative.
- A maximum performance time, inclusive of speaking, of 20 minutes.
🎶 Creative Exploration: Harp Explorers & Harp Futures - Virtual submission and adjudication
The Creative Exploration scholarship is intended to celebrate, empower and welcome creativity using the harp as a featured or notable element of your artistic presentation. If you have any questions, please contact the scholarship committee
- Harp Explorers (ages 16 and under) - encourages those exploring their voice through the harp to develop artistic practices and curiosities.
Please submit a video submission which is representative of your artistic explorations with and around the harp. Please include a descriptive introduction, whether written or folded into the video. Maximum 5 minutes.
- Harp Futures (ages 17+) - encourages exploration and innovative artistic choices. Be bold!
Please submit a video submission which is representative of your artistic explorations with and around the harp. Please include a descriptive introduction, whether written or folded into the video. Maximum 10 minutes.
Examples of possible submissions: an original composition . free improvisation . complete reworking of a pre-existing composition . set a poem/painting (original/public domain) to music . harp + electronics

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